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González
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1 April 2024
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Today, 7am
I have been thinking a lot about the compulsive repetitions in Martin Arnold’s work and how truth has an insistence and will be heard, eventually. His manipulation of time through rhythm allows us to see subtle things that were hidden before. Posted @withregram • @afracious Excerpt from Pièce Touchée (1989) #martinarnold
I never thought Alphonse Mucha would be someone I would cite but his study of hands for his poster of Sarah Bernhard’s Medea was impeccable. The problem with Mucha is not his work, I realise, but the context he has been put in (and his view of women too).