Reading dates: 2 October – 8 November 2018

This is my favourite Reacher so far. Perfect pace, perfect level of reveal. Reacher is cool and calm, gets a partner, gets a girl and works things out, rather than spends page after page, punching, trapping and shooting. The plot is about an assassination threat to the vice-president of the US so there are anonymous letters, and the secret service and FBI get involved. We get to know Reacher better through a little bit of family history revealed and this enhances the book considerably. Geographically, we move between North Dakota, D.C., Georgetown and Wyoming and the contrast works in the writing. The baddies are clever and efficient, a good match for Reacher. My only issue is with the resolution, when the baddies turn out to be less clever and efficient all of a sudden. Yes, indeed, the whole mess has to be resolved somehow but after weeks of grief, it all gets done in 10 minutes, and it feels insubstantial and dissatisfying.

I am going to give Reacher a rest before carrying on with the series through #4, which I missed.

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Reading dates 13 – 21 October 2018

There was dissent in DiaMat. At least two of the five members did not like the book, complaining that it did not reach any depth, did not have a clear point, circled around the issues, was an exercise in poetic licence. Yes, maybe those claims are true but I did like Steyerl’s attempt to capture the zeitgeist, to present an immediate future that is as believable as it is scary, a little like PD James’s ‘Children of Men’ or China Miéville’s ‘The City and the City’. There is also something Ballardian and Ginsbergian about it.The chapters are a set of lectures that offer a network of ideas, rather than a point. Her images are clever and persistent. She covers spam, scams, online romances, new artistic spaces, artist’s labour, freeport’s, Syria, drones, Fascism, kisses, 3D printing, art writing.

It is as light as it is wide-ranging and enjoyable to read. She does write like an artist (rather than a philosopher or an anthropologist, but I think that was a strength apart from the amount of rhetorical questions. If I had been an editor, I would have taken care that it read more like a book and less like a set of lectures.

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Reading dates: 28 August – 1 October 2018

As Neil said, this is the golden period of the Reacher novels and the plot here is solid. I particularly like the Texan heat, the storm and the battle that comes within it. It feels more than visual and appeals to many senses. The downside, I am still not warming to Reacher himself in the way I feel for Denise Mina’s characters or even Harry Hole. I want him a bit more vulnerable, less robotic. I was hoping for a bit of romance with Carmen, something that makes him miss a step for a few pages. I know, I know the rumours that he is neurodiverse but to me it is not him or his character at fault here, it is the writing. I am all for neurodiversity if the writing respects that. As it is, Reacher feels distant more that atypical. Of course, I am reading the next one in the series …

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Reading dates: 19 July to 27 August 2018

This novel has won a lot of crime fiction awards and it has some clever narrative devices but I found it tedious. Despite the fact that it is interesting to find out Norway’s role in the conflict, the flashbacks into the WWII scenes were breaking the flow of my reading. I felt as if there were two books into one and I could not manage to get into either. There are too many characters, too many people who appear and disappear. The plot resolution is far fetched and leaves a few loose ends. The opening scene has very little relevance to the story other than for the purposes of a call back. It is ok, but I could see it coming, and it is clumsy. Some characters’ fate gets repeated in later books. Fair enough, I read the series out of sequence and this is the first occurrence, but it makes Harry Hole a bit of a jinxed man, gives an awkward sense of déjà vu, and feels lazy.

Still, it was very nice to find out the back story of Rakel Fauke and how Harry and met her. Harry Hole is a fabulous character: brilliant, flawed, funny, sexy, unpredictable at times. If you like him, this is worth reading, to understand how he develops in the later books.

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What I do is often confusing, applies to different sets of people, takes place in different settings and contiguous times. I teach in the mornings, then I go to work — usually making art — then practice (or teach at lunchtime), then work some more, then teach in the evenings. I go to workshops or more classes in the weekends. How do I do it? When do I eat? Do I sleep? Do I have any friends? Often, I don’t even know myself. It has caused some trouble to people who asked to be put on my mailing list and started receiving information about my yoga classes when they wanted to know about my art work. I only have one mailing list, a yoga one, as this is my freelance business. As you can see, this is multiple hat disorder for most people.

The feeling for me, though, is not one of disjointedness or fragmentation. To me, it is a lot, but it is integrated. The problem is how to do it … Adrian Piper in her wikipedia facsimile, has the answer:

Even her works make yogic sense to me …

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Reading dates: 12–13 May 2018

Sometimes, in our Dialectical Materialist Book Group, we limit ourselves. The topic is always related to politics, we want to read full books (not just texts, although we let go sometimes), under 150 pages and contingent, relevant. How many good books are there that fit our criteria? Psychopolitics: Neoliberalism and New Technologies of Power is perfect for us. It explores how we have left the disciplinarian society of biopolitics for a time of psychopolitics, where entrepreneurs of the self practise self-exploitation and self-surveillance. We are in the time of internal struggle, of mental health epidemics and this is evident to see. His argument — even though he draws on the same old Foucault and Deleuze in the same old way — is compelling, provocative and made us have an animated discussion. The issue, though, is that his solution, although interesting (to become an idiot, to be idiosyncratic), has not been feel tested and remains in the realm of the theoretical.

When communication is to be accelerated, idiosyncrasy poses an obstacle inasmuch as it amounts to an immunological defence against the Other. Idiosyncrasy stands in the way of unbounded communicative exchange. Accordingly, immunosuppression is necessary for acceleration to proceed.

I can think of many idiots out there who are not, most definitely not the solution to the new technologies of power (social media, the smart phone, Big Data) and the psychic turn of neoliberalism. He writes: ‘The idiot does not exist as a subject – he is “more like a flower: an existence simply open to light”‘. If only … Some idiots are not flowers, unless one thinks of a Venus Flytrap.

My favourite parts are his language digressions: in particular timeline versus event, immanence versus transcendence (what Capitalism aims to do), and emotion versus affect versus feeling. These last categories are all around us in speech, design, art, objecthood, but rather muddled:

Emotions are dynamic, situative and performative. Emotional capitalism exploits precisely these qualities. Feelings, in contrast, cannot be readily exploited inasmuch as they have no performativity. Finally, affects are not performative so much as eruptive; they lack performative directionality.

It made me think of the qualities of my own work, of what I put in it, on what sustains it.

The weirdest moment in the book, however, was this eerily accurate quote (replace jogging with yoga and see who it reminds you of):

From ages thirty-six to forty-five they are dynamic, get up early to go jogging, have no children but are married, like to travel, and watch Seinfeld.

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Reading dates: 16 April – 05 May 2018

Before picking up this book, I begun ‘Macbeth’ by Jo Nosbø, one of the most ill-conceived projects I have ever encountered. All you need to know about my relation to the book is that I abandoned it half way through, it was so pointless. I picked up Camilleri as the crime fiction antidote to that nonsense: it is generally light (as in sunny), focused on the senses, very Southern European. As the opposite of Nesbø, it worked, but I think this book is not finished. It just stops. Now, there is guts in a writer doing that, of course, and it shows Montalbano’s character and time of life: his relationship with Livia is about to break, he is in conflict between love and work, thinking about the direction of his life, at 56. We are left in a crossroads and although that, per se, is not bad, it leaves a real taste of dissatisfaction in the reader. I will go for the next one, for sure, just for the description of Italian dishes. This one even has a recipe which, for me, was the best bit.

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Reading Dates: 26 February – 2 April 2018

Implausible, drawn out and un-engaging. In an airport security queue, someone picks up the wrong laptop, belonging to a US senator and containing top secret information.The senator’s chief of staff and the NSA are after the guy. Written like this, it does not seem too bad but, boy, there is nothing interesting about the plot driving or the writing. I realise that, in crime fiction, character is 75%. If this is coherent, if this follows through, then the novel will do its job. The guy who picks up the laptop, a coffee roaster called Michael Tanner, could have been that. Instead, only his surface is touched on. Is he a social justice warrior? Why does he make the decisions we read about (for example, do business when he is about to be killed)? There is something interesting in following the pursued and not the pursuer (see the Ripley novels) but The Switch completely misses this opportunity. Tanner is in limbo land as to his place in the book and so the novel is left without an anchor.

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Reading dates: 11–22 February 2018

As Hildegard knew from her own experience as a stigmatic fraud, blood, once let loose, gets all over the place. It sticks, it flows, it garishly advertises itself or accumulates in dark thick puddles. Once it gets going, there is o stopping blood.

Dr Hildegard Wolf, a psychotherapist in Paris finds herself with two patients confessing to being Lord Lucan, the English Earl who murdered his nanny, mistaking her for his wife. They blackmail her, as they both discover that, in her past Hildegard was Beate Pappenheim, a fake stigmatic. Anyone who knows me would know that this plot line is 100% written for me and the book did not disappoint. Granted, it does not, perhaps, have the vigour of ‘The Prime of Miss Jean Brodie’ or some of her earlier novels, but ‘Aiding and Abetting’ is still written with all the Sparkian charms I adore. It is very short and to the point, with no plot padding and some resolution (although this is extremely banal, which kind of goes with the premise of the book), the characters are as interesting as human nature is when observed closely and with flair and curiosity. She is my favourite writer, what can I say, and 2018 is her centenary. I have read about 10 of her 22 novels (below, noted with *) and this year seems to be the perfect time to complete the set.

*1. The Comforters
2. Robinson
*3. Memento Mori
*4. The Ballad of Peckham Rye
5. The Bachelors
*6. The Prime of Miss Jean Brodie
*7. The Girls of Slender Means
8. The Mandelbaum Gate
9. The Public Image
*10. The Driver’s Seat
11. Not to Disturb
12. The Hothouse by the East River
13. The Abbess of Crewe
14. The Takeover
15. Territorial Rights
*16. Loitering with Intent
17. The Only Problem
*18. A Far Cry from Kensington
19. Symposium
20. Reality and Dreams
*21. Aiding and Abetting
*22. The Finishing School

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Reading Dates: 03 January – 10 February 2018

This is a crime novel close to how I like them. Plausible, but silly, with breathing space and red herrings. It is not a whodunnit because it is clear from the last book who the bad guy is. The question is how and why he dunnit. I also like my thrillers to have a defining scene, like the concert at the Albert Hall in The Man who Knew Too Much. In The Thirst, that scene is at a disputation, which is the Scandinavian version of a public PhD thesis defence, so imagine how exciting this was for me. There is also a nice lecture on the Othello syndrome where a character, a psychologist, outlines the proposition that what drove him was ambition and not jealousy. I like my crime fiction à la Sade, with philosophical pamphlets. I think this particular Hole book would make a very good film: there is plenty of music chat; ironically, Harry gets to own bar (the Jealousy, a nice call back); the settings vary from the Boiler Room to hospitals, to Police College, to auditoria and Turkish Baths. I am glad this is the last one for now. I seem to have fallen onto a reading rabbit Hole (boom tish) and I need to get on with my plans for the Muriel Spark centenary.

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