Laura Gonzalez


22 Dec 2013

The Bat by Jo Nesbø *

Reading dates: 11 – 22 December 2013

Books like The Bat are the reason why in 2013 I made a reading list of 17 books. Of those, I managed to read, so far, fourteen, with Libra, No Name and Ada bleeding over into 2014. Yes, 17 was too many for a whimsical reader and I have learned from this. My next reading list only has 6 titles and if I read all of those, my year will be a great reading year. As 2013 has been if it weren’t for The Bat. Disappointing, predictable, uninteresting. I cannot believe this was the first in the Harry Hole series, the one that won the awards. It seems an after thought, a bad prequel, writing by numbers. It has nothing to redeem it and is very far away from The Snowman, or even The Devil’s Star. Don’t read it, even if you love crime fiction. Stick to your list.

Posted in Blog, Book Reviews, Reading

One Response to “The Bat by Jo Nesbø *”

  1. Heroines by Kate Zambreno ***** said:

    […] When reviewing The Bat, I urged you to stick to your reading list, lest you should encounter novels like this and waste your time. With Heroines, I am going to contradict myself. It is everything one would hope from venturing outside of the confines of a reading list created at a time removed from the reading experience. In November, I joined a reading group called ‘Sick, Sick, Sick: The Books of Ornery Women‘ and this was the first text to discuss. What a find too. it is energetic, sensitive, angry and its topic is hysteric women. It is a sad book. Zambreno discusses the wives of famous writers: T.S. Eliot – eerily named Thomas Eliot, the man, rather than the poet – Francis Scott Fitzgerald, Paul Bowles and others. The wives who give themselves up as writers to take on their caring, companion roles, the support. Yet, the writing struggles within them as it often does. It comes out as something [hysterical] recognised as an illness. They are interned in sanatoriums; they die. Meanwhile, the husbands get to own the papers and diaries of their wives and convert them into characters (see ‘Tender is the Night’). Hamlet the Existentialist versus Ophelia the Hysteric. Yes, they both die, but in what different ways. What is also interesting is Zambreno’s own writing, her involvement in the stories of these wives. She is obsessed – all the signs are there, including the breakdowns – and there is nothing wrong with it. […]

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.