Laura Gonzalez

blog

11 May 2011

Bealtainne-with photos

You are cordially invited to this show, where I will be showing some photographs alongside some work by Glasgow School of Art PhD students:

A woman displays strange behaviour on her way to work: despite having to rush to attend to her duties on time, she finds herself stopping in her tracks, unable to look elsewhere. She is in distress, even if this is not a hysteric fit. The cause of this conduct seems to be related to a diamond and platinum ring. The diamond, a natural, round brilliant one of 1.00 carat, is very sparkling and blinds her. She cannot resist seduction’s call. She is terrified by its meaning and its consequences. She is terrified when addressed to by the object, when faced with her own desire. The encounter is uncanny. She asks: ‘What does the object want from me?’

These photographs are part of a project entitled ‘Make Me Yours’. They are concerned with the relational and psychodynamic aspects of the engagement between object and subject, between work of art and viewer;
one that, when seduction operates, is characterised by interplay, flow and conflict.











Posted in Blog, PhD, Practice


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.