Laura Gonzalez

blog

1 Jan 2015

Pride and Prejudice by Jane Austen***

IMG_4126.JPG

Reading dates: 5 September – 31 December 2014

I know it is somewhat harsh to give 3 stars to such a beloved classic novel but I have to admit that both Elizabeth Bennett and Mr Darcy got on my nerves more than Mrs Bennett did. The heroine is a little wishy washy, boring, not the character of the Brontë’s Jane Eyre or Cathy. It is all about marriage, I thought, about matches rather than about love or fulfilment. And don’t get me started on the others … The only worthy ones of dialogue were the parents and wordy Mr Collins. Jane Austen writes well, though, despite using the word super-excellent (!) once. I had to do a double take. The book is worth reading for her prose.

The book is, I think, better than the TV adaptation as the narrative is better handled (the TV show has it in the wrong order) and it was a pleasure to hear Neil voice the witty words of Mr Bennett with such vivacity. We read the last eight chapters on New Year’s Eve and it made it a memorable one. Still, we were not as enthralled as we were with Mansfield Park or even Persuasion (for we knew nothing of the latter).

We read Pride and Prejudice at the same time as Phillip Larkin’s poems and the conclusion of this experiment in reading is a desire to read poetry to each other more than novels. There is something wonderfully thought provoking about voicing a poem before one dreams.

Posted in Blog, Book Reviews, Reading


One Response to “Pride and Prejudice by Jane Austen***”

  1. The World’s Wife by Carol Ann Duffy said:

    […] finishing Pride and Prejudice and deciding to concentrate on reading poetry together for the time being, we settled on Carol Ann […]

Leave a Reply

About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.