Laura Gonzalez

blog

26 Mar 2014

Reading Hysteria review

Bowen3

Wimbledon blog posted a lovely review of our performance last week: http://blogs.arts.ac.uk/wimbledon/2014/03/25/acts-re-acts-week-three/

I want to thank everyone at Wimbledon (Clare Mitten, Peter Farley, Anna, Richard and Mette) for making the day go smoothly, bearing with us and our pernickety approach to lighting and being so attentive to our outpour of words. Your generous feedback will make us revisit this text again, fold it for the fourth time and show it to you.

[…] This was followed by a performance lecture ‘Reading Hysteria, Between Laughter and Crying’ by Eleanor Bowen & Laura Gonzalez, incorporating performed text and projections. The work explored the condition of “hysteria” both historically and in relation to the image and performativity, reading and writing. The performance culminated in Bowen and Gonzalez re-enacting Ulay and Abramovich’s AAA AAA (1978) to a screening of Sam Taylor Wood’s film Hysteria (1997). […]

Posted in Blog, Hysteria, Practice, Psychoanalysis, Reading


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.