Laura Gonzalez


Happy Easter — 31 Mar 2013


Bunny by Polly Borland. One of my favorite ever photos. Happy Easter!

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Make Me Yours photobook — 2 May 2011

I am clearing up, throwing things away, filling, and wrapping, as you do when you finish as long a project as this five-year work. I cannot quite stop yet, I am not resting, although I know I need to. I keep contacting my supervisors with more or less legitimate excuses – my new symptom, it has to stop. I want to write, and I cannot. I am enjoying reading (‘Mansfield Park’ by Jane Austen, ‘Cosmos’ by Witold Gombrowicz and ‘The Man who was Thursday’ by G.K. Chesterton, since you are asking). I am generally leading the life and the moods of someone who is totally lost and a bit bereaved, but it is not a bad thing, as I want to move on (of course I do!).

I am also updating, uploading and making some things available. In general, dragging things out until I they lead me somewhere else.

You can now see the photobook I submitted for my PhD here … As for the textual work, well, that somewhere else I want to go might be publication so I am holding the text for a while. Still, if you want a copy, do get in touch and I will happily respond.

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Hard bound purple copy — 25 Apr 2011

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Seductive Colour — 25 Oct 2010

Dear reader,

I am so sorry I have been neglecting writing to you. The end of the self-inflicted exile from these pages is near. Here’s a quick calendar update:
—— The practice was submitted on Friday 1 October 2010
—— The thesis submission is planned for 1 December
—— The Mock Viva is on the 19th January
—— The real thing is scheduled for 16 February

After that, I am, hopefully, all yours.

In the meantime, you can read a lovely conversation I have had with Alexandra Melissa Korley, published in Illywords. We talk about colour, Duchamp’s Étant Donnés and Casanova, and I give an essential reading list. Don’t expect straight answers for me, though. I have learned enough about seduction to know how to work a tease. Still, I hope you enjoy it.

Till February, with trepidation,


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The British Psychoanalytic Council — 8 Jul 2010

It is an honour to have a short article on kissing in photography published in the same issue as a discussion on HBO’s TV show ‘In Treatment’ and the rise of internet sex.

Read the article here (PDF 1.7MB).


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Afterall, one work — 22 Jun 2010

This series of monographs really appeals to my obsessiveness with specific works of art. Just like having a private critical museum… They even have a lovely volume on Étant Donnés. How not to include it? It is one of the most recurring images I have ever encountered…

Etant Donnes

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Marcel Duchamp and the Forestay waterfall — 25 Apr 2010

Forestay Waterfall

Forestay Waterfall, which inspired Etant Donnes

Isn’t this the most wonderfully obscure symposium ever? I wish I could go – alas, I will be at another very obscure one, Jacques Lacan Today at UCL, in London. This is one of those event when one is guaranteed to share interests with the rest of the attendees. I should write to the Catalonian authorities of the place where Duchamp found the Spanish door to encourage them to make a rival symposium…

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Grace and Clark Fyfe gallery shots — 21 Apr 2010


gallery view

make me yours

make me yours

make me yours

make me yours

a case of seduction

a case of seduction

a case of seduction


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Half Knowledge/Half… — 6 Apr 2010

An exhibition of work by researchers.
Grace and Clark Fyfe Gallery, Scott Street, Glasgow
16-28 April 2010

You are cordially invited to the Private View of the show, which will take place on Friday 16th April, at 6pm.


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From perfect lovers to banality — 30 Nov 2009

perfect loversImage009

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.