Inter-sections
inter-sections
original performance devised by
BA Honours Contemporary Performance Practice
13–15 March 2024, 7pm
Chandler Studio Theatre
Creators and Performers
flux by Tattie Chater Davies, Laurie Elliott and Tsoi Huen Wong
Sound composition: Andrew Keddie and Tattie Chater Davies
Special thanks: Alastair MacDonald, Bill Wright, Stephanie Lamprea, Aya Kobayashi, Noa Ferder, Laura Gonzalez, Vishak Ramaprasad and Tom McFadyen
Raindance by Gemma Legan and Tabitha Dearie
Music and Sound composition: Connor Bristow
Contribution to voice note: Paige MacGillivray
Special thanks: Bee McQueen, Dianne McConnell, Gregor Dickov, Iz Brett, Kate Bradley, Laurie Elliott, Robyn Johnstone, Viola Fowler and Zoe Pebbles.
It’s My House by Shaaray Sharif, Bronwyn Dickson and Emily Rae
Music and Sound Composition: Emily Rae
Special thanks: Emily Rae (BMus Composition) and Iz Brett
Breakfast with Insomniacs by Louise Van Tassel, Matthew Baker-Grunza and Dianne McConnell
Live Sound and Electronics: Adrian Stark
Voiceover: Julienne Restall
Special thanks: Jo Ronan, Robyn Wendy Johnstone, Paige MacGillivray, Laura Gonzalez, Jean Sangster, Bill Wright, Stephanie Lamprea, Bojana Jankovic, MACCT students and the production team
Staff/Student Artistic Team
Conceptual Framing |
Jo Ronan |
Choreographic Framing |
Laura Gonzalez |
Composition Framing |
Oliver Searle |
Lighting Design |
Jamie Burke |
Assistant Lighting Design |
Eoin Beaton |
Sound Supervision |
Nathan Farndale |
Music and Live Sound Design |
Emily Rae |
Andrew Keddie |
|
Adrian Stark |
|
Connor Bristow |
|
Tattie Chater Davies |
Production Team
Production Manager |
Jacqui Howard |
Stage Manager |
Iz Brett |
Stage Manager |
Zoe Peebles |
Stage Manager |
Robyn Wendy Johnstone |
Assistant Stage Manager |
Paige MacGillivray |
Assistant Stage Manager |
Cara Heddle |
Assistant Stage Manager |
Gregor Dickov |
Stage Supervisor |
Rory Campbell |
Deputy Stage Supervisor |
Nathan George |
Lighting Programmer |
William Sheils |
Lighting Technician |
Joshua Hanover |
Lighting Technician |
Trudy Nelson |
Production Electricians |
John Ross |
DPLX |
Cameron McGrath |
Sound Technician |
Kara Whelan |
Sound Technician |
Jazzi Hart |
Sound Technician |
Aimee Flemming |
Stage Technician |
Eilidh Watt |
Stage Technician |
Rachael Brown |
Welcome Message
Dr Jo Ronan, Interim Head of Contemporary Performance Practice
inter-sections is a series of four vignettes framed by a prologue and epilogue. It is the product of a core module, Collaborations, undertaken by all 3rd year students. This year the collaboration extended to RCS Composition students. One student, Noa Ferder went further afield and collaborated with a Glasgow School of Art student to develop her visual and design practice. She completed her ‘vignette’ outwith inter-sections earlier this year.
inter-sections developed from my praxis, Dialectical Collaborative Theatre, enabled the students to negotiate singular and collective artistic vision in progressing agency and ownership. The students took artistic lead in creating their vignettes but allowed us lecturers to support them in realising their artistic vision, while we challenged them to deepen and refine their work. Through participating in the collaborative practice of Professor Laura Gonzalez, Dr Oliver Searle and myself, the students experienced three artists/pedagogues at work. We developed the prologue from collaborative processes I was facilitating at the time. We developed the epilogue from the content of the vignettes with help from CPP student, Tsoi Huen Wong. Working with the process/product dialectic enabled the ownership of our collective artistic labour to materialise in individual, small group and full ensemble creation and performance.
While there have been challenging times, as you would expect of any collaborative process, the rewards of developing collective artistic vision in society today are immeasurable. It has been a privilege and joy to work with Laura, Oli, Jacqui, our Production Manager, and all the students and staff from CPP, Production and Music. You, the audience complete the final layer of our ensemble. Thank you for your participation. We hope inter-sections provokes and entertains in equal measure.