Laura Gonzalez

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Today, 7am — 29 Oct 2018

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Today, 7am — 26 Oct 2018

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Today, 7am — 24 Oct 2018

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Duty Free Art by Hito Steyerl **** — 22 Oct 2018

Reading dates 13 – 21 October 2018

There was dissent in DiaMat. At least two of the five members did not like the book, complaining that it did not reach any depth, did not have a clear point, circled around the issues, was an exercise in poetic licence. Yes, maybe those claims are true but I did like Steyerl’s attempt to capture the zeitgeist, to present an immediate future that is as believable as it is scary, a little like PD James’s ‘Children of Men’ or China Miéville’s ‘The City and the City’. There is also something Ballardian and Ginsbergian about it.The chapters are a set of lectures that offer a network of ideas, rather than a point. Her images are clever and persistent. She covers spam, scams, online romances, new artistic spaces, artist’s labour, freeport’s, Syria, drones, Fascism, kisses, 3D printing, art writing.

It is as light as it is wide-ranging and enjoyable to read. She does write like an artist (rather than a philosopher or an anthropologist, but I think that was a strength apart from the amount of rhetorical questions. If I had been an editor, I would have taken care that it read more like a book and less like a set of lectures.

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Today, 7am — 22 Oct 2018

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Today, 7am — 19 Oct 2018

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Today, 7am — 17 Oct 2018

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Today, 7am — 15 Oct 2018

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Today, 7am — 12 Oct 2018

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Today, 7am — 10 Oct 2018

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.