Laura Gonzalez

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Today, 7am — 24 Sep 2018

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Today, 7am — 21 Sep 2018

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Today, 7am — 19 Sep 2018

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Today, 7am — 17 Sep 2018

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Today, 7am — 14 Sep 2018

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Today, 7am — 12 Sep 2018

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Today, 7am — 7 Sep 2018

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Today, 7am — 5 Sep 2018

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Today, 7am — 3 Sep 2018

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The Redbreast by Jo Nesbø*** — 2 Sep 2018


Reading dates: 19 July to 27 August 2018

This novel has won a lot of crime fiction awards and it has some clever narrative devices but I found it tedious. Despite the fact that it is interesting to find out Norway’s role in the conflict, the flashbacks into the WWII scenes were breaking the flow of my reading. I felt as if there were two books into one and I could not manage to get into either. There are too many characters, too many people who appear and disappear. The plot resolution is far fetched and leaves a few loose ends. The opening scene has very little relevance to the story other than for the purposes of a call back. It is ok, but I could see it coming, and it is clumsy. Some characters’ fate gets repeated in later books. Fair enough, I read the series out of sequence and this is the first occurrence, but it makes Harry Hole a bit of a jinxed man, gives an awkward sense of déjà vu, and feels lazy.

Still, it was very nice to find out the back story of Rakel Fauke and how Harry and met her. Harry Hole is a fabulous character: brilliant, flawed, funny, sexy, unpredictable at times. If you like him, this is worth reading, to understand how he develops in the later books.

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.