Laura Gonzalez

blog

6 May 2018

The Wings of the Sphinx by Andrea Camilleri**

Reading dates: 16 April – 05 May 2018

Before picking up this book, I begun ‘Macbeth’ by Jo Nosbø, one of the most ill-conceived projects I have ever encountered. All you need to know about my relation to the book is that I abandoned it half way through, it was so pointless. I picked up Camilleri as the crime fiction antidote to that nonsense: it is generally light (as in sunny), focused on the senses, very Southern European. As the opposite of Nesbø, it worked, but I think this book is not finished. It just stops. Now, there is guts in a writer doing that, of course, and it shows Montalbano’s character and time of life: his relationship with Livia is about to break, he is in conflict between love and work, thinking about the direction of his life, at 56. We are left in a crossroads and although that, per se, is not bad, it leaves a real taste of dissatisfaction in the reader. I will go for the next one, for sure, just for the description of Italian dishes. This one even has a recipe which, for me, was the best bit.

Posted in Blog, Book Reviews, Reading


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.