Laura Gonzalez


11 Feb 2018

The Thirst by Jo Nesbø****

Reading Dates: 03 January – 10 February 2018

This is a crime novel close to how I like them. Plausible, but silly, with breathing space and red herrings. It is not a whodunnit because it is clear from the last book who the bad guy is. The question is how and why he dunnit. I also like my thrillers to have a defining scene, like the concert at the Albert Hall in The Man who Knew Too Much. In The Thirst, that scene is at a disputation, which is the Scandinavian version of a public PhD thesis defence, so imagine how exciting this was for me. There is also a nice lecture on the Othello syndrome where a character, a psychologist, outlines the proposition that what drove him was ambition and not jealousy. I like my crime fiction à la Sade, with philosophical pamphlets. I think this particular Hole book would make a very good film: there is plenty of music chat; ironically, Harry gets to own bar (the Jealousy, a nice call back); the settings vary from the Boiler Room to hospitals, to Police College, to auditoria and Turkish Baths. I am glad this is the last one for now. I seem to have fallen onto a reading rabbit Hole (boom tish) and I need to get on with my plans for the Muriel Spark centenary.

Posted in Blog, Book Reviews, Reading

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.