Laura Gonzalez


3 Jan 2018

Police by Jo Nesbø***

Reading Dates: 18 December 2017 – 03 January 2018

I am not going to lie: if there ever was a book that could fall into the category of guilty pleasures (bearing in mind guilt is something I rarely feel), it is this one. Full of cliff hangers, whodunnit surprises, ruthless plot lines and relatively flowing prose. BUT, I found it far too manipulative, as if the book knew how to extract maximum eagerness from me and then drop it. It is a rollercoaster but like the rides, pretty inconsequential. It is a good reading experience but at the back of my mind, I get a sense of déjà lu. What happens seems to happen to poor Harry (whom I am very fond of, by the way) rather a lot. He just collects more physical scars but he somehow has a mental resilience that basically just reveals the artifice. I know, I know that writing literary crime fiction is hard, but this is why I very much admire David Peace, Denise Mina and Louise Welsh. They know when to stop. Unlike me perhaps … I will read the next Hole book, of course. Nothing wrong with an occasional guilty pleasure …

Posted in Blog, Book Reviews, Reading

Leave a Reply

About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.