Laura Gonzalez

blog

20 Jul 2017

Today, 6am

Posted in 7am, Photography, Practice


2 Responses to “Today, 6am”

  1. JoAnna Mendl Shaw said:

    Hi Laura,
    I seem to have an outdated email address for you.

    Have spoken with the Fulbright Foundation and I should be able to get funding for research and teaching in Glasgow. Interfacing with the Fulbright UK is the first step. I have contacted Rosina about guest teaching at West College. I would be fascinated to do some movement and theory exploration with you should that be of interest. The Conservatory would be the institution seeking funding to bring me in for some classes that would focus (I would think) on the Physical Listening work I have been doing with humans and equines.

  2. Laura Gonzalez said:

    I got your lovely email (my RCS email) and responded. lets get the ball rolling, dear JoAna! I cannot wait to work with you! Sounds wonderful!

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.