Laura Gonzalez


28 Dec 2016

His Bloody Project by Graeme Macrae Burnet *****

Reading dates: 5—14 December 2016

Set in the Highlands of Scotland and with vivid witness and court accounts, this novel is one of the most intelligent and enjoyable books I have read all year. Burnet does not overdo either the plot or the prose and the novel is perfectly pitched, like a well-seasoned dish. I very much enjoyed the language, the strange Scottish words—he provides a helpful glossary embedded in the middle of the book. The characters and the story are absolutely believable and the way the story is told, with reference to the author, is an effective device reminiscent of The Quixote. I love crime fiction, mainly because it is a genre that lends itself to the literary although this is seldom achieved. Burnet does it with ease and elegance.

Posted in Blog, Book Reviews, Reading

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.