Laura Gonzalez


7 Nov 2016

Sapiens, A Brief History of Humankind by Yuval Noah Harari ***


Reading dates: 25 September – 03 November 2016

In my opening remarks at our book group meeting (the only meeting in which I can have a 5-way conversation with comrades, which is wonderful), I mentioned how this book annoyed me because of the breadth it covers and the lack of evidence. Yet, I also though it was a great book to discuss because of the ideas it tries to put forward. We were critical of the chapters on money: we are widely read on this particular topic and Harari’s sweeping assertions did not wash with us. There are, however, some interesting thoughts about the origins of the species (which of course are not easy to validate) and about our potential futures, where technology is taking us.

I think for me the most enervating quality of this book is that I was not sure about the author’s positioning of the argument: is this history? Anthropology? Informed thought? Research? Where is Harari speaking from? It made me consider, of course, where I read from and what I demand from such books. I do like my sources, the sense of belonging to a space with a tradition, the limitations of a discipline (because it provides a focus). Without it, the writing becomes amorphous, too wide and, although imaginative at times, its tendentiousness detracts from the sometimes interesting ideas.

Posted in Blog, Book Reviews, DiaMat, Reading

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.