Laura Gonzalez


18 Oct 2016

The Mahabharata: A Modern Rendering, Vol. 2 by Ramesh Menon *****


Reading dates: 25 June – 16 October 2016

Although the narrative does not quite reach the excitement of the first volume, I came to read this second volume completely hooked to the story. This part deals with the war and its aftermaths and I really got into the descriptions of battle formations, into the drudgery of these 18 days of blood shedding and cleansing. Volume 2 also contains the Bhagavad Gita, one of the most mysterious and beautiful texts I have ever read (and which hopefully I will understand better by the time I finish my yoga teacher training). I read the Gita on a beach in Crete and I know I will always remember that reading experience, what it said to me, what I felt and where I was. It was one of those deeply spiritual moments which shift something inside, a subtle change of direction, only of a millimetre to start with, but which set me of on a different path altogether, as I now realise.

The Mahabharata is still one of the most incredible stories I have read: well crafted, dramatic, with interesting characters and a coherent message. Even the very end is fitting. Not a single line has disappointed me and Ramesh Menon’s rendition just made it accessible and fun. I am not sure what a more ancient version would have been like but Menon was certainly not hard work. I hope to read it again, all of it, for I miss the Pandavas and Krishna’s smile, already.

Posted in Blog, Book Reviews, Reading

Leave a Reply

About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.