Laura Gonzalez

blog

28 Jan 2016

Hysteria (Graphic Freud) by Richard Appignanesi and Oscar Zárate***

hysteria slide3

Reading dates: 01–28 January 2016

This is a delightful graphic novel which, although necessarily simplifying the many facets of hysteria according to Freud, is also able to give a glimpse of its complexity and its problems. I liked the focus on cases, the historical narrative intermingled with ghosts from the past and the future. It is beautifully written and drawn, literary but, as ever with hysteria, also romanticised. This is especially evident in the choice of giving the ghost of Princess Diana a voice and I wonder if more could have been done with it and with Freud’s own hysteria. My main problem with it is the glaring omission of Dora, one of Freud’s most important patients and his Irene Adler. I suspect this might be because she gets a book of her own, eventually. Even with this thought, she should be at least alluded to in this work. Drawn or mentioned, pointed at. But, of course, this is a graphic novel about Freud, and not hysteria, isn’t it? The process, the method, the research get the time and space.

Posted in Blog, Book Reviews, Hysteria, Psychoanalysis, Reading


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.