Laura Gonzalez

blog

20 Nov 2015

On the Genealogy of Morality by Friedrich Nietzsche***

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Reading dates: 19 September—19 November 2015.

This is an interesting book to read but an even more interesting one to discuss. Structured like a monumental rant against everything and not very much substantiated with any evidence, it is energetic and fun, even if a little contemptible. It turns morality on its head: what if what we understood as good was actually not good, but just culturally good, dependent on context? The book comprises three essays and the third is against the ascetic’s values. Nietzsche is an advocate of life, of ancient Greek culture, of the Dyonisian and, I have to say, having a choice between Apollonian and Dionysian is something that does appeal to me. Why does good only hold one possibility? Here’s Nietzsche, looking dapper with Lou Salomé (who is holding a nice whip):

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Of course, for much of the night, we drifted to discuss terrorism and the Paris attacks, to look at these recent events from Nietzsche’s moral philosophy perspective. Why terrorism? What values do they uphold? Are they wrong and we are right? Is it so simple? These were the actual examples missing from Nietzsche’s narrative.

Posted in Blog, Book Reviews, DiaMat, Reading


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.