Laura Gonzalez

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Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures by Mark Fisher *** — 21 Sep 2014

ghosts

Reading dates: 08 June – 21 September 2014

I read this during a very special summer in my life. A close, loved and much admired person died young and unexpectedly, taken away by a devastating cancer in 3 months. Meanwhile, my country, the one I live in, was gearing to the most important decision in many years, perhaps ever: whether to break the United Kingdom and become independent, or (as it turned out on 18 September) not.

On the 10th June and following my invitation, Mark Fisher came to speak to the Glasgow School of Art where I work. I wanted to read his last book when I met him. This is a book on possible, lost futures, those that could have been and, at the same time, are and are not; a book on ghosts; a book on ontology. How apt for my summer. The book is divided into three sections for, broadly, the 70s, sounds and places. While I devoured 1 and 3, the second section was beyond me. Mark is an accomplished writer but I found it very hard to read on dubstep and house music, on artists I never heard of (literally). I did find them on youtube, and listened to get a sense, but that did not help my impasse. My advance through section 2 was very slow. I did adore his essays on Patrick Keiller, John le Carré, W. G. Sebald, David Peace and Christopher Nolan, despite his choices being the usual boys (boys I like, but still, always the same). He reveals insights, is well read, writes with care and precision and weaves philosophical, psychoanalytic and cultural thoughts to create a very good collection of essays, if you share with him his object of study. If not, the writing is still good, but the ideas are too abstract. Perhaps this is one of those books where some of the chapters would work better in the original form, as blog posts: linking feels an essential part of the process of reading, as Masha Tupitsyn did in her book Love Dog.

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.