Laura Gonzalez

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Ariel by Sylvia Plath **** — 25 Jul 2014

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Reading dates: 24 June – 24 July 2014

Neil read this book to me, around a poem per night, before sleep. I travelled from thoughts of suicide, to hospitals and bees in vehicles made of words. A star fell because I did not re-read, and this needs re-reading. Of all the poems, this one echoed daily since the day I heard it. It still does.

Thalidomide

O half moon—

Half-brain, luminosity—
Negro, masked like a white,

Your dark
Amputations crawl and appall—

Spidery, unsafe.
What glove

What leatheriness
Has protected

Me from that shadow—
The indelible buds,

Knuckles at shoulder-blades, the
Faces that

Shove into being, dragging
The lopped

Blood-caul of absences.
All night I carpenter

A space for the thing I am given,
A love

Of two wet eyes and a screech.
White spit

Of indifference!
The dark fruits revolve and fall.

The glass cracks across,
The image

Flees and aborts like dropped mercury.

8 November 1962

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Alternative Maternals — 18 Jul 2014

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I curated Alternative Maternals, an international show dismantling the collective characteristics by which the maternal is recognisable or known. Through a variety of expressions the show combines diverse lenses of absence, rejection, memory, legacy, scandal, autonomy, physical body and social media. It opens at Lindner Project Space in Berlin on the 3 August 2014 and runs until 9 August.

The artists in the show are wonderful, moving, critical, supportive and very engaged. What can I say, it has been a pleasure to work with them; I have laughed and learned, and I could not have asked for a more interesting project to be involved in. They are: Deborah Dudley (USA), Linda Duvall (Canada), Jeca Rodriguez Colón (Puerto Rico), Miriam Schaer (USA), and Valerie Walkerdine (UK). You can see the charming catalogue we produced here (PDF, 1MB).

I want to thank Cella and Klaus Knoll at Transart Institute, Eto Otitigbe and Kate Hers Rhee for their support with organising a show in a venue I have not been in yet. It is amazing how easy and rewarding it has been considering the crazy nature of the circumstances.

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.