Laura Gonzalez


18 May 2014

Lacan in spite of everything by Élisabeth Roudinesco ****


Reading dates: 23 April – 17 May 2014

I very much enjoyed reading Roudinesco’s appraisal of Lacan’s legacy, thirty years after his death. Only a psychoanalysis historian like her, author of Lacan’s biography, could take such a challenge in 224 pages. She gives an admirable account of Lacan’s ideas in short chapters, focusing on the family, womanhood and sexuality, Antigone, and his love of objects, for example. She mixes his life, his reception and his thought with his context thirty years ago and what it means now. She does this in a clear and accessible way. Yet, this book is not for the faint hearted. It is, I think, for the well-read Lacanian scholar. This is what made me enjoy it. I understood the familiar Lacanian turn of phrase, the inferences, in short, what Dany Nobus calls Lacanese. Without this, the book would be hard work, I think, quirky perhaps, but also impenetrable. For the Lacanians among us, it is provocative but measured, critical in a soft way and a good overview in a few pages. It reads like a review of his oeuvre and, as such, made me want to go back to the master (and subvert him), to re-read Encore, Seminar VII, and Kant avec Sade.

Posted in Blog, Book Reviews, Psychoanalysis, Reading

Leave a Reply

About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.