Laura Gonzalez

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16 Dec 2013

Madness, Women and the Power of Art

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Madness, Women and the Power of Art [Paperback]
Frances Davies (Author, Editor), Laura González (Author, Editor)

If madness has a female voice, what art can represent it? Why do women so often find themselves lying on the couch as patients? Does creativity and cultural production have a special relation to madness? This collection of essays from an international cluster of sociologists, social and mental health workers, artists and literary critics offers wide-ranging answers to these pertinent questions. From the madwoman in the attic to the position of women in outlaw motorcycle gangs, the essays address such topics as the role of perversion in Italian literature, a Marxist critique of the psychiatric system, multiple personality order, and the link between creativity and self-harm. Some accounts come from direct observation, or suffering itself; others from reading and looking. In its attempt to represent madness, the convulsive ripples of thought dissect, contradict, perform and, at times, grieve. This book is an enthralling journey into the depths of madness.

Paperback: 252 pages
Publisher: Inter-Disciplinary Press; First edition (1 Dec 2013)
Language: English
ISBN-10: 1848882475
ISBN-13: 978-1848882478

Frances Davies is a Child and Adolescent Mental Health Practitioner in Rochdale, Greater Manchester. Originally a social worker in South Africa, she came to the UK to further her studies. Her work on this book began with her MSc studies in Child and Adolescent Mental Health at the University of Northampton. Laura González is an artist and writer. When she is not following Freud, Lacan and Marx s footsteps with her camera, she lectures postgraduate students at the Glasgow School of Art and Transart Institute. Her current research explores knowledge and the body of the hysteric through text, dance, performance and video.

Posted in Blog, Hysteria, News, Practice, Psychoanalysis, Reading, Writing


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.