Laura Gonzalez

blog

2 Jun 2013

Beyond these Walls

Our ebook chapter, from last year’s Madness conference, has been published! With authors from our forthcoming hard copy book and many, many more. You can download it here.

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Listen closely. Can you hear the echoes of their cries resounding in the night, or is it the shrieks of the condemning? Perhaps it is the outrage of the masses at such weakness, or is their fear? Madness: a diagnosis, a label, a construction of power, and, for some, a life sentence of isolation. The product of an interdisciplinary exchange spanning four days, this volume is a collection of those voices joined in dialogue who dare to consider the questions of madness. Come, join us as we explore, consider, and probe the boundaries of madness.

Posted in Blog, Hysteria, News, Practice, Psychoanalysis, Writing


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.