Laura Gonzalez

blog

1 Jun 2011

Margarita Gluzberg’s Avenue des Gobelins

With thanks to the lovely Beatriz Olabarrieta for sending me these astonishing images. So mysterious, so evocative! Well, I guess I would say that given my practice but I have spent a long while trying to figure out what goes on in the picture plain, only to be sucked in by the photograph. It is a feeling I love, so I will try to make it to the show. Nice references too: Atget, Surrealism and Chanel.

Paradise Row Gallery
74 Newman Street
London W1T 3EL

MARGARITA GLUZBERG
AVENUE DES GOBELINS

18 NOVEMBER – 23 DECEMBER 2011

Borrowing its title from one of Eugene Atget’s iconic photographs of Parisian shop fronts, Avenue des Gobelins is a meditation on the mystical, ritual nature of material desire and consumption. The central work of this exhibition is a slide-loop projection, The Consumystic. By double and triple-exposing the film, Gluzberg adopts the analogue photographic techniques of the Surrealists to produce a mesh of consumer signs and spaces: the black gleaming lacquer of Chanel, reconfigured by the chaos of a Saturday afternoon at Primark.

Posted in Blog, Interesting people, Notes to self, Practice, Seduction, Seductive things, That photo


2 Responses to “Margarita Gluzberg’s Avenue des Gobelins”

  1. Julia stone said:

    Nothing new here

  2. Jessica said:

    Maybe ‘nothing new’ as Julia has put it, with the images, but the way in which the images are presented, through a slide projection onto graphite, in the exhibition are truly breathtaking.

    one of the best exhibitions i have seen in a while!

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.