I do not, of course, believe that photographing reflections in shop windows is a groundbreaking or truly original thing. My contribution to the genre, and to seduction, is a little more subtle and made of a number of elements combined. When extrapolating the images, however, and looking only at them in the context of art, it is quite useful to locate sources. I knew they were there but I could not identify them until Lorens showed me his wonderful Lee Friedlander book. There they were. Friedlander’s series in Like a one-eyed cat:
What was useful about unlocking this piece of my unconscious (the kind Lorens and I chatted about) was that not only the detail of the information was useful for my PhD – as it will inform the analysis of my practice –, it also revealed things about my photos that I hadn’t seen before. Friedlander’s images are often typified as self-portraits. In my photos, the body that appears on them is mine but I don’t relate to it. At least for now; we’ll see what happens in the gallery space. Thinking of them as kind of self-porttraits, of which all art has something, is interesting in relation to certain things on seduction and narcissism I have written about. For this, as well as for showing me the second volume of his thesis and, with it, a way into analysing images where screen and space are central, I have to thank him.