Laura Gonzalez

blog

8 Nov 2007

Research photographs

I have updated the website with shiny new lightboxes and have uploaded some of the new photographs I took over the summer. In preparation for the printing work I have ahead of me (and the exhibition in April/May), I thought I should publish them in order to gain some distance, and to encounter them in some form.

Posted in Blog, News, Seductive things, That photo


2 Responses to “Research photographs”

  1. LInda Herbertson said:

    Hope you will tell us about cryptophores – had never come across the word or the concept before, and now I’m fascinated.

  2. Laura Gonzalez said:

    Coming soon!

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.