Laura Gonzalez


30 Sep 2006

Objects of desire (and seduction)

From Office

Ambiguous shoes, harmless pumps with ankle straps reminiscent of S&M garments. Not one strap, but two. Angelical, innocent, and slightly perverse; reversible, challenging, weak and weakening.

Posted in Blog, Seductive things, Shoes

2 Responses to “Objects of desire (and seduction)”

  1. Veronica said:

    Anda, pero si son como mis zapatos!! Pero a diferencia de que tienen la punta redonda y el color es rosa-rojo caramelo, aún mas inocentes, aún mas perversos…
    Seguiré paseándome por tu ventana al arte.
    Un saludo

  2. Laura Gonzalez said:

    Gracias Veronica! Y que suerte que tengas zapato color caramelo, inocentes y perversos. Esos son los mejores…

    Un saludo de vuelta,


Leave a Reply

About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.