Laura Gonzalez


9 Aug 2006

More dream material

I am standing in a space by a window with volets [shutters]. The word came to me only in French. In front of the is a horizontal space, like a low and wide windowsill. I am polishing a pair of small scissors. I recognise the scissors as they are those my mother has in her living room, by the sofa where she sits. The screw holding them together is very loose and their tip is bent. She uses them to cut facial hair. I am still polishing them when my newly married friends O. and C. come outside the window and chat to me. I can’t remember what they say but they don’t stay long. After they’ve gone, I continue polishing the scissors in my hand. When I finish, I place them down on the windowsill-like surface an take another unpolished pair of the same scissors. In the dream, I am surprised of the fact that I have so many of them…

Posted in Blog, Dreams, Psychoanalysis

Leave a Reply

About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.