Laura Gonzalez


The Secret of the Sexes — 25 Jul 2005

Yesterday’s BBC programme on attraction (part of the Secret of the Sexes Series) was very thought provoking.

Through metrics followed by a series of experiments, scientists were trying to extrapolate the universal rules of attraction. They started working from the hypothesis that people with facial similarity would be attracted to each other. They measured a group’s facial metrics and established matches. They then, through a speed dating experiment, they measured (with the aid of a 1-to-100 digital dial at the side of the table) first impressions and the any changes in measurement after the 3-minutes conversations. Three ‘seducers’ were introduced as a control group.

Needless to say, the hypothesis was proven wrong as no couples ‘hit it off’. However, they established that first impressions are decisive and the 3-minute conversations made no substantial change in the attraction measurement.

Though computer programmes that created ‘perfect’ matches, they then had a look at other aspects of attraction like compatibility and body (men are attracted to a particular waist-hip ratio, whereas women give importance to height). But the most interesting experiment was, in my opinion, giving faces a feminine/masculine value to test if one is attracted to the other.

No study was conclusive. Studying attraction solely through metrics can be extremely problematic as they can’t encompass idiosyncrasies, cultures etc… But that didn’t matter so much as the experiments made me think about my own:

– What would happen if I gave objects a masculinity / femininity score?
– Will I have to go into these gender issues?
– What kind of metrics (if any) will my study require?
– Can I create a speed-dating-with-objects methodology followed by (or instead of) focus groups?

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Influence or Coincidence? — 1 Jul 2005

With thanks to Beatty, for pointing this out to me:

Omlet’s Eglu and Jonathan Ive’s iMac

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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.