Laura Gonzalez


Today, 7am — 8 Mar 2017

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Adult love and its roots in infancy — 10 Sep 2011

This looks so interesting. Love. Love, that eternal question. How do we chose our love objects? Where does adult love come from?

Day Conference

at the Anna Freud Centre, London NW3

This conference investigates adult love by bringing together the worlds of psychoanalysis, literature, and performance. The most sublime, exhilarating and painful of emotions, love puzzles the intellect and almost defies description. It motivates the best and worst of us, overwhelming us with the ferocity of its demands, while thwarted love and perverse love are at the heart of much violent behaviour and neurotic suffering.

Psychoanalysis unlocks the mystery of love by tracing its roots to childhood. The conference will be of interest to anyone involved in adult psychotherapy or counselling, and anyone who has ever been in love.


Lisa Appignanesi (Chair)
All About Love: Introductory Remarks

Bernard Barnett
Psychoanalytic Love, Real Love and Love in Anna Karenina

David Morgan
Destroying the Knowledge of the Need for Love: The Perverse and Addictive Transference

Anna Furse
When I touch the keys my flesh melts: On writing Don Juan.Who?

Estela Welldon
The Dangers of First Love

Click here for speaker biographies, booking details and abstracts. And if you go, let me know how it was!

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In praise of twos — 25 Apr 2011

It may be conceded to the mathematicians that four is twice two. But two is not twice one; two is two thousand times one. That is why, in spite of a hundred disadvantages, the world will always return to monogamy.

G. K. Chesterton, The Man Who Was Thursday.

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Merry Christmas! — 25 Dec 2010

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The British Psychoanalytic Council — 8 Jul 2010

It is an honour to have a short article on kissing in photography published in the same issue as a discussion on HBO’s TV show ‘In Treatment’ and the rise of internet sex.

Read the article here (PDF 1.7MB).


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Projecting Desire: Sex, Psychoanalysis and Cinema — 3 Jun 2010

A very interesting course at Tate Modern. I would so love to have the resources to teach something like this:

Led by Lucy Scholes and Richard Martin
10.30-16.00 on 5 June only
10.30-13.00 all the other sessions

Combining film, literary and psychoanalytic theory, this six-week course explores the fascinating theoretical connections within the work of Sigmund Freud, Arthur Schnitzler and Stanley Kubrick. Honing in on Kubrick’s controversial last film, Eyes Wide Shut (1999) – adapted from Schnitzler’s novella Dream Story (1926), which in turn can be traced back to Freud’s The Interpretation of Dreams (1900) – we will consider how successfully cinema has depicted the dynamics of desire, dreams and fantasy.

Classes will begin with a short introductory lecture on the main themes of the week, with class discussion – in small break-out groups and as a whole – forming the majority of each session. Eyes Wide Shut will be screened as part of an extended first session, and the course will also include a session led by the film’s executive producer, Jan Harlan, as well as visits to Tate Modern’s Exposed: Voyeurism, Surveillance and the Camera exhibition and to the Stanley Kubrick Archive at the University of the Arts London. No prior knowledge is needed.

In order to make the most of this innovative, multi-disciplinary exploration of some of the twentieth century’s most fascinating ideas, participants will be expected to read Schnitzler’s Dream Story and sections of Freudian theory. Additional material and suggested reading will be handed out in class in advance of each session. The class will also be encouraged to consider the course’s written and visual material alongside the artworks in Tate Modern’s collection.

For a course outline, click here

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Merry Christmas — 25 Dec 2009

May 2010 bring everything you wish for!


PS: I am after the purple platforms, the ones with the bow!

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The noughties — 13 Dec 2009

2000: Moved from Manchester to Sheffield. Met Hayley and Oli and Stuart who took me to the pub. Finished BA. Met Neil. Got attacked by a goose. Moved to London. Started MA.

2001: Westminster Bridge Road. Depression. Finished MA. Started work in academia. Lost ability to make art. Won Mr and Mrs competition.

2002: Tooting. Watched Star Wars for the first time. Got second job.

2003: Colliers Wood. Met most of my friends. ‘To all the lovers and sweethearts we will never meet.’ Ralph disappears.

2004: Met those of of my friends who I hadn’t met in 2003. Depression (unrelated).

2005: Ralph reappeared. Moved to Glasgow. Met those of my friends living in Glasgow. Became a lecturer. Started PhD at Sheffield.

2006: Began psychoanalysis. Began running the MRes. First conference paper on seduction.

2007: Bought flat. Visited Berlin for the first time. Visited New York for the first, second and third times. Saw Étant Donnés and it changed my life.

2008: Ended psychoanalysis. Found ability to make art. Began teaching psychoanalysis. Got married. Fell in love with Portugal again.

2009: Overworked, overwhelmed. Depression. Back in therapy. Ended running the MRes. Started correspondence with Linda. Feel much better. Freud collection almost complete. First published book chapter.

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From perfect lovers to banality — 30 Nov 2009

perfect loversImage009

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An artist reflects on an artist’s Biennale — 10 Aug 2009

Wonderful! Arttra have published my thoughts on the 53rd Venice Biennale here.


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.