Laura Gonzalez

blog

6 Sep 2017

The Russian Revolution: A Very Short Introduction by S. A. Smith****

Reading dates: 02 August to 04 September 2017

It is not easy to find a short introductory book on a complex issue written with clarity, insight and in a manner that is not condescending. This is it. If you want to commemorate October 1917 by finding out more about what happened, this is an excellent and quick way into the subject. Granted sometimes one gets lost in the acronyms, the names and the places and soon enough I realised I had to read Smith with attention, but that was my issue as a reader more than the book. The account is both balanced and comprehensive, or at least as much as a 160pp book can be. It is paced well, written with flair and with beautiful quotes from letters and reports of the time.

We read it for our Dialectical Materialism book group (Neil’s choice) and we had a lively conversation about Venezuela, about the future of communism, about charismatic leaders and about the lack of events revisiting October 1917 in its centenary (which is a shame). We discussed, and endorsed, the intentions of the revolution as human emancipation but acknowledged, as is well argued in the book, the unforeseen events that came up from 1917 onwards and which made Stalin rise: the return of the repressed … Perhaps, before the next revolution, we need to be well analysed …

Posted in Blog, Book Reviews, DiaMat, Reading


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About Me

I am an artist and writer. My recent practice performance, film, dance, photography and text, and my work has been performed, exhibited and published in many venues in Europe and the US. I have spoken at numerous conferences and events, including the Museum for the Fashion Institute of Technology in New York, the Medical Museum in Copenhagen, College Arts Association and the Association for the Psychoanalysis of Culture and Society. When I am not following Freud, Lacan and Marx’s footsteps with my camera or creating performance works as part of my Athenaeum Research Fellowship at the Royal Conservatoire of Scotland, I teach postgraduate students at Transart Institute.

I am currently immersed in an interdisciplinary project exploring knowledge and the body of the hysteric. In 2013, together with Child and Adolescent Mental Health practitioner Frances Davies, I co-edited the book ‘Madness, Women and the Power of Art’, to which I contributed a work authored with Eleanor Bowen. My book ‘Make Me Yours: How Art Seduces’ was published by Cambridge Scholars in 2016. In this text, investigates psychoanalytic approaches to making and understanding objects of seduction, including an examination of parallels between artistic and analytic practices, a study of Manolo Blahnik’s shoes as objects of desire, a disturbing encounter with Marcel Duchamp’s last work, and the creation of a psychoanalytically inspired Discourse of the Artefact, a framework enabling the circulation of questions and answers through a relational approach to artworks.